Book Event

I attended a panel event hosted by Loyalty Bookstore with the authors KJ Charles, T. Kingfisher, Malka Older, and Martha Wells that I thoroughly enjoyed.

The theme of this panel centered around comfort reads and how they are important at trying times, like how they are now with everything going on in our world.

Mostly everyone agreed that how to gain comfort in a book is by earning it so that the comfort is grounded.

Martha Wells described comfort in knowing that life can be put back together. She said that there is no comfort without discomfort. She loves when there is bad going on outside for a character but comfort going on within. For her, happy endings are harder to do than bad ones because putting things back together after tearing them apart is the hard part. She loves mystery because she expects solutions at the end of the story and for everything to be set right. The Rivers of London Series is her favorite comfort read because it brings order to chaos compassionately and reasonably, which is what she looks for.

Malka Older said that when you encounter a comfort read, it is nice knowing that a good thing will happen at the end because it puts the reader in a good place. She believes that there needs to be potential for justice and that the reader needs to be with someone competent so that way the main character doesn’t stress the reader out.

It was interesting because then everyone built off the topic of competence. Apparently, there is even a thing called competence porn, which is when many characters are component and accomplishing difficult tasks with great aptitude.

T. Kingfisher is one of the ones who added to that conversation in saying that it is comforting to know that terrible things are happening, but as a reader, you know you are with a character that can deal with it. One of the things they love in books is knowing that they can relate to what bad things are going on. She writes mainly horror and prefers horror with happy endings otherwise she feels like she went through everything for no reason. For them, when they write horror, they always write it in the first person to bring the horror closer to the reader, and for dark fantasy, they write in the third person.

One of the very interesting things that T. Kingfisher pointed out was that the horror section at Barnes N Noble changes to reflect what is going on in society. It grows when more bad things happen because people are looking to relate to the moment and looking for comfort in seeing people getting out of the bad. There was a time when the horror section was even smaller than the western section because not much was going on in the world, but now, it has grown a lot bigger.

KJ Charles agrees that horror is sought to comfort and find happy resolutions. Lately, she has been reading Deep Sea Horror after the recent submarine incident. But that comfort can be taken away if the story is labeled wrong. She described it by opening a book expecting it to be a rom-com, but then encountering it being serious, and one’s taste buds are all wrong for it. It is also interesting that to her horror is romance’s evil twin because they do the same thing by emotionally messing with someone. T. Kingfisher added that horror and romance are the only two genres defined by how they make you feel.

This panel held a fascinating conversation, which I enjoyed and was happy to listen to. Thank you, Loyalty Bookstores.

Book Event

I was able to attend an event hosted by Mysterious Galaxy, where David Ferraro, the author of The Alchemy of Moonlight, talked to Devin Greenlee about his newest release, Evergreen.

It was a cute conversation, and how both authors interacted made me feel like I was in a coffee shop, sitting in while they conversed.

Evergreen is a retelling of Rapunzel. During the conversation, Devin discussed how hard it was to decide how much to drift from the real story, but he feels he gave the best of all worlds. Without giving any spoilers, it is 75% romance, and then the whole story takes a turn.

Devin is known for writing books in six weeks; once, he even wrote a book in eleven days, although it was a mess. After he wrote this book, he was ready to self-publish it, but one of his friends convinced him to go the traditional route and find an agent, which worked!

Devin Greenlee expressed how he felt writing has been a part of his life and gave some cute stories about his journey with writing. One was how he combined efforts in middle school with a friend who loved manga, and they then created something together.

Devin Greenlee went on to explain how when he was growing up, he craved queer books, and the only one he found for the longest time was Rainbow Boys by Alex Sanchez. It made him sad how hard it was to find books he could identify with, so he decided to write what he couldn’t find when he got older. He hates how now queer books are being taken away and believes that adults need to give as much info as possible to guide lgbtqia+ kids through situations and expresses how he doesn’t get it because they will find that information anyway.

He lastly went into the process of how he writes books. Interestingly, he has a song playlist he has been working on for fifteen years that is ten hours long that he uses not just for writing but also for relaxing and sleeping. He also writes in waves. At first, he writes out the dialogue and the bare bones, and then he will go in and add the more flowy prose and emotions.

This was a very insightful conversation with many thanks to Mysterious Galaxy!

I Need To Know You

Love ached.

It tore.

It burned.

It took every piece of me and never gave it back.

Lost and withered,

my soul searched for something.

Anything to let it breathe.

At least one more time.

I need to feel something.

Anything.

I need to know you again.

Let Me

Let me become your nebula

Let me atomize the love that’s me

Let me fill your head with wonder

A clouded future, a lock and key

Let me open myself up to you

Let me paint your dark profound

I promise if I’m given freedom

My true self will be unbound

Closure

The closure of my heart took work.

Many said I shouldn’t do it.

That being numb would be a shame and a sin.

But here I am.

Still able to care. To help. To now see things more clearly.

Like how closing my heart helped me escape you.

I would rather live in perseverance.

Not caged in a false and painful love.

You Are

You are my everything

From cloud cover on a burning hot day

To shelter from a devastating storm

You are my only

You are my lover

You are my happy tears

How Life Got Me

I need a break

A break from being exhausted

Hurt

And sad

A moment from being mind-drunk

Paralyzed

And mad

Angry at how life got me

How it treated me for show

I only need a moment

To keep going

To keep afloat

Behind the Scenes of “Father’s Odd Requests”

“Father’s Odd Requests” started as a writing prompt that wanted the beginning of a story to start with a father’s two requests. When working with this prompt, I let my mind run wild, which was fun. I thought to myself, what are two very odd requests that a dead father could have (because I like things a little dark), and then built my story around that. I love how it opened a whole creepy, whimsical world filled with mystery and how that world helps begin the journey for a son who was never close to his father.

“Father’s Odd Requests” is about a son and a daughter who set out to fulfill their father’s odd requests, which are finding a certain “Ice Blue” cotton candy to put at his grave along with a coin that he always carried in his ankle. After that, they are supposed to videotape what happens to show their mother.

This truly amazing artwork with so much detail was done by Eli Cuaycong. I really can’t believe how he was able to bring this story to life with just one scene. It’s one of my favorite art pieces, and I am so excited to have it up on our wall when we move in the near future.

My plan and hope is to expand on this story that takes place in The Kasverse. I truly cannot wait to watch James grow and uncover his father’s secrets.

If you want to read this story about a son’s connection with a father who has passed, feel free to click below.

Book Event

The Ripped Bodice bookstore hosted an event panel with three authors, Jennifer Mathieu, Nadia Mikail, and Linda Cheng, with the interviewer Amanda McCrina to talk about their romances that circled the theme of finding love in hopeless times. All three of their books are not just romances but a commentary on the world we all live in.

Linda Cheng wrote Gorgeous Gruesome Faces, an awesome genre blend of sapphic romance, Asian horror, and K-pop. Linda explained that writing it was a cathartic experience that helped her see the light during the dark time of covid. She chose to combine horror and romance because they are two of her favorite genres and both are about deep visceral feelings where one can really get into the core of a character when they are introduced to vulnerability.

Linda set K-pop as the background of this novel because she grew up in Taiwan during the hype and rise of pop. She loved seeing it become a worldwide phenomenon and listened to pop during the pandemic to feel better. She also loves survival shows and said that there is so much stuff underneath the surface of the K-pop industry with so much darkness to be explored, so she thought it was the perfect setting for a horror story.

Nadia Mikail who wrote At the End of the World talked about how her book was a pandemic baby. That she started writing it right before the pandemic because she was studying overseas and really missed her family. Once covid hit, she didn’t know when she would see her family again so she started writing this book where all the scary things flowed into it subconsciously. For example: being estranged from an older sister and the world ending. It is set during an asteroid collision with Earth. She wanted to place it there because she wanted to write an end-of-the-world story because it is during the end of the world when one thinks about what is really important to them. She stated that she knows that survival corrupts some people and that she wanted to dive into what a character would do when it came to thinking about what is important to them and what they are going to keep living for.

In Nadia’s novel, her main driving relationship is between the main character and her sister. The romantic love story was the easiest for her to write but the hardest was between the sisters because she had a sister growing up and knows how complex a relationship can be between siblings.

Jennifer Mathieu who wrote Down Came the Rain said it was dedicated to her friend who wanted her to write a YA about climate change. She went on to tell about how she lived during Hurricane Harvey in Houston where she knew twenty-five people whose houses were flooded. It was very traumatic for her and she wanted to make sense of all of it, so she began writing. During the floods, there was a time when it didn’t look like they were going to go back to the school where she taught and that they were going to have to share space with another high school. That didn’t happen, but it did happen to a different high school in the suburbs. Her book is about finding love when two high schools had to share space and combine during Hurricane Harvey. It dives into climate change because while living in Houston they have had to deal with so many different events involving the climate and things their homes are not set up for. She knows people whose homes have flooded in the span of two years and was there during the Texas Freeze. She feels like Houston is speaking as a character trying to tell people climate change is happening. She loves living there and loves the diversity so this book is her love letter to the city. She hopes that people who don’t have a connection to her part of the world can look at their communities after reading it and that this book can act as a window or a mirror to spark conversation.

This was a very deep interview panel that I am thankful The Ripped Bodice could provide us.